Body Image and the Great Strip-Down

When I sat down to write about body image, I found myself mired in writer’s block before my fingers even touched the keyboard. Where could I begin to talk about this issue? It’s intimidating in its vastness, and thousands of articles on the subject have already been written. So many of us struggle with our self-worth where our bodies are concerned.

What came to mind first was the following incident:

When I was in Arizona, I had a boyfriend whose family lived in a large house in a semi-rural suburb. The lot on which it sat had a modest expanse of lawn and a scattering of shrubbery fringing the perimeter around the front yard. Though it could have used some work, the yard was by no means ill-maintained; still, the neighbors took it upon themselves to show up one day with hedge-trimmers, weed-whackers, gardening shears and the like. They stood on the front porch (I was there to witness it), ready to work. They exuded good intentions with the sort of self-satisfaction that goes with donating precious resources to a charity case.

You see, that yard just had to be brought up to “standards,” and if the occupants of the house weren’t going to do it, then by god, someone else had to. The yard was an eyesore, they figured. It was bringing down the neighborhood. Maybe the appearance of the yard would even decrease the value of their homes. This is all speculation; I don’t know what they were thinking, exactly. People can be persnickety.

My boyfriend’s parents were mortified. They stood on their side of the security screen door at a loss for words. “Thank you,” they murmured… because what else could they think to say at that moment? What do you do with unsolicited volunteerism to correct something of yours that you never knew was wrong?

Good intentions aside, the neighbors came across as critical, maybe even judgmental, and their collective action seemed more insulting and intrusive than akin to a random act of kindness. They actually took time out of their weekends to impose their aesthetics on someone else’s house. “We thought we’d get together and work on your yard,” their spokesperson announced in so many words, full of vim and vigor. I couldn’t believe the nerve. Plus, the yard really wasn’t that bad. In fact, I’d thought I’d seen the same or worse here and there throughout the neighborhood. It wasn’t like this was a shabby yard surrounded by “perfect” ones.

So what about this memory brings to mind the issue of body image? The concept of aesthetic “standards.” Other people’s standards, and the pressure placed on us to meet them.

In this era of obsession with physical perfection, very few of us feel that we look “good enough” to count as worthy. So how to overcome the persistent messages that being attractive (according to other peoples’ definitions) should be a paramount goal in life? How to become impervious to the messages of society-mandated physical perfection plastered all over the media? How to not care?

I thought about it. For me, I found that the answer lies somewhere in this truth: My body is my house, and it’s prime real-estate… because it’s mine to do with as I please. It’s the only thing I truly own, me, by myself. I live here, I want to shout to the tentacles of the media. Get off my lawn!!

The space I inhabit within my body is the same as the space I inhabit within my home, and it’s no one’s business what I do with those spaces. Those spaces are sacred to me. I’m not okay with “good neighbors” on my doorstep telling me what’s wrong on the outside, and I’m absolutely against the idea of intruders coming in to dictate what will happen on the inside.

It seems that we’re fixated on altering our bodies for the gratification of others and to match the innumerable images of what “desirable” looks like. Though men aren’t entirely exempt from the bombardment of these subtle and not-so-subtle directives, women remain the central targets. Focus on women’s bodies far exceeds the focus on men’s bodies. Feelings of physical inadequacy aren’t quite the equal opportunity demons they should be.

My thoughts keep returning to that house and its yard. How the neighbors came with their gardening tools to trim, shape and prune the vegetation until its contours resembled their own ideals of not only acceptability, but desirability. When did it become permissible to judge the exteriors of our homes to the point where others will come to impose their ideals on us? The problem is that when any space we inhabit is regarded with a critical eye, it’s difficult to avoid self-consciousness… and self-consciousness brings us down. It can lead to irrational thinking about how we can “fix” ourselves. It can lead to self-starvation and self-mutilation in our quest to comply with the beauty ideals of our time.

It’s like comparing our living spaces to those of others. We find ourselves examining the walls that surround us, becoming as critical of them as our critics… maybe even more so, since it’s true that we’re often our own worst critics. Suddenly, what we have isn’t good enough. Where we are isn’t good enough.

Then we think about it. We take stock of what we need, compare it to what we have, and then realize how lucky we are. We have a functional structure in which to live.

We have somewhere to lay our heads when we’re tired. Somewhere to bathe our bodies. Somewhere to sit and think and be alone. Somewhere to spend intimate time with others when we don’t want to interact in public. Somewhere to store, keep, admire, use and enjoy the things we have.

Wouldn’t it be great if we could feel this appreciative and secure within the homes that are our bodies?

Now that current economic realities have somewhat stifled the “keep up with the Joneses” mindset that influenced our sense of self-worth in the extravagant ’80’s, why can’t we nudge ourselves out of that same mentality where our bodies are concerned? Why continue trying to “keep up with” anybody in terms of how we look?

There’s just no point in comparing ourselves to others.

So I ask myself this question: If make a list of things I need in order to feel good about myself, what would it look like?

I came up with this: Lasting harmony, growth and passion with my life partner. Mental, spiritual, physical and emotional health. Contentment and joy. Accomplishment and satisfaction. Triumph and progress. Acceptance and dignity.

The list isn’t without its “oh my god impossible” factor, but it’s invigorating nonetheless. I feel motivated for the right reasons. It’s time to separate my body from my self-worth, and I can start by trying to shrug off the bullshit messages of our body-centric society. In doing so, I’m freeing myself to nurture and enrich other areas of my being and my life. I’m happy with my aspirations to focus on interiors, rather than exteriors.

For one thing, I know that when I look in the mirror, there are more terrible things I could see than my physical “imperfections.”

I wouldn’t want to look in the mirror and see money I don’t have, and feel poor. I wouldn’t want to see what’s gone from my life, and feel a desperate vacancy. I wouldn’t want to see what’s been taken away, and find ghosts where my reflection should be. I wouldn’t want to see the pride I can’t swallow or the temper I can’t control. I certainly wouldn’t want to look in the mirror and find a guilty conscience in the aversion of my gaze, because above all, I have to be able to look into my own eyes. That is where I should see beauty. And that’s where others should see it, too.

What feels healthy and good on the inside diminishes the importance of what people see on the outside, and that renders them impotent. My self-worth becomes immutable.

So this is the strip-down, the way I see it. I’ll make a point of baring myself to the elements every once in a while, just as a reminder of the value of what’s really there. I could stand in my entryway completely naked while I’m at it. Come and tell me what needs to be fixed. I might hold a mirror up to your face before I quietly close the door.

You’re American. You Must Be Obese.

We got back from our latest trip to Nice last night. While we were there, we took the time to visit the maison de carnaval (“house of carnival”), the place where the majestic floats for Nice’s annual February carnival are made. We wanted to get a sneak peek at the construction progress because, like last year, several of Callaghan’s drawings were selected to appear as floats.

I have something to get off my chest, so I’m going to go ahead and dump it here.

(By the way: This is not about Callaghan!)

Let’s say you’re an artist. You decide to participate in a contest to come up with a series of original drawings on the theme of “The Five Continents,” depicting your visual interpretation of the corners of the world. (This refers to the non-American version of the world’s continents, hence five rather than seven.)

The competition is intimidating. You know that your drawings have to be absolutely inventive in order for the committee to select one or more of them; a prestigious carnival’s enormous, sophisticated floats will be based on the winning drawings.

So here you are, ready to go! The continent of North America lies before you, challenging you. There are many options, many things about this continent you can take and develop into creative ideas. You sit and think and soon find yourself rolling along an exhilarating wave of inspiration, creative idea after creative idea blooming up from the depths of your imagination. Your mind hums with anticipation; you can already feel the satisfaction of releasing the creative mojo from your brain, taking the images from your mind’s eye and transferring them to paper.

You unsheathe your drawing pencils. You’re inspired. You’re proud of yourself. For North America, you’ve decided, you’re going to focus on the United States. You’ll incorporate various elements into your drawing – elements that will represent America. One of these will be an American woman: She’ll be obese. She’ll be blond. She’ll be naked except for blue star pasties on her nipples and a tiny red and white striped bikini bottom. She’ll wear a gold crown. You’ll put her up on the back of a pink Cadillac. In her upraised hand, you’ll draw in a diet soda. She is a parody of the Statue of Liberty.

At the carnival’s home offices, the selection committee reviews the hundreds of entries submitted by talented artists. Next thing you know, you receive a letter of congratulations. Your drawing was selected! Your idea was so original, it beat out all the others. At the end of February, a pink Cadillac float representing America, complete with the ridiculous half-naked obese woman brandishing her diet soda, will drift along in the parade for all to admire. You’ll receive an award for your clever design at the end of the carnival’s run. Congratulations.

Here are the rhetorical questions this scenario begs in my mind: Is the world really so conditioned to viewing America this way that it can’t see the juvenile cruelty of ridiculing obese Americans? Can there be an acknowledgement of the difference between a successful satire and outright hostile social criticism hiding behind the guise of satire?

Dear Selection Committee: I don’t get it. I don’t get why you would taint the illustrious tradition of your annual carnival by selecting a drawing such as this. Shouldn’t you be setting high standards for carnival parades, rather than lowering them by perpetuating mean stereotypes through the pedantic representation of them in your floats?

Why reduce a country’s identity to a stereotype, anyway? America. Geographical wonders such as redwood forests, the Grand Canyon, Mount Rushmore, the Great Lakes and Niagara falls. Specific, world-wide-recognized characters such as Elvis, Mickey Mouse, the Statue of Liberty and Uncle Sam. Places such as Hollywood and New York City. All of these emblems could be used as the basis of satire. Also worth considering is the tremendous cultural diversity among the American population.

America is nothing if not multi-cultural. The country grew up as a coming-together of people from all over the world, and those people brought their traditions that have both held pure and mixed together with others. It can be said that to be American is to be of mixed ethnicity; most Americans are “mutts.” I’ve known very few Americans who are 100% anything. It’s not like Europe, where it’s more predictable that people in Germany are of German ethnicity, people in France are of French ethnicity, people in Italy are of Italian ethnicity, etc. There is no such thing as an “American” ethnicity. America is unique in that it’s a country in which almost all of its citizens (the exception being Native Americans) can trace their ethnic roots back to their places of origin. “American” is a nationality, not an ethnicity. America is a collection of the world’s people.

How can anyone miss the greatness of this? When you really think about it, isn’t it a stunning concept? Isn’t it great, I mean truly great that a country such as America even exists?

What I’m trying to point out is that it’s kind of gratuitous to draw an obese white person and stick it on a float called “America” to represent its people. Clearly, the intent here is not to satirize. The intent is only to turn the subject into a laughing-stock for the amusement of the parade audience, most of which is not American.

Stereotypes can be negative or positive. Obesity is a negative American stereotype that suggests disapproval of not just a body condition, but a psychological one as well. Often, obesity is perceived as an attitude-oriented issue – one that can easily be changed if the person “really wants to.” It’s a complex stereotype, and it’s hostile: the obese are viewed negatively on different levels. This is why I’m feeling this drawing stretch beyond satire, and I have to wonder what the artist was thinking. Did he choose to portray obesity because it would be the easiest of the negative American stereotypes to draw? Or because it’s perceived to be the funniest? Or because it was just the first thing that occurred to him when he thought about America, so he went with it without bothering to search his mind for alternatives?

I saw this drawing, obviously. In my opinion, it’s not even that good. (I think I’m at least slightly qualified to make this judgment, since I live with Callaghan and I see the results of his considerable talent every day.) Regardless, if the decision to draw an obese person was made in bad taste, the decision to select the drawing out of hundreds was even worse.

I believe it would be possible to come up with ways to visually satirize America with the finesse required to also celebrate it – not just mock it. Intelligent, creative satire. I’m all for it.

We’re aware that obesity is an accelerating medical problem in America. But who is anyone to indict us, as a nation, for being “greedy” or “lazy” or “self-indulgent” (or whatever the perception may be) because of it?

Who is uglier – the obese American, or the person ridiculing him or her?