DON’T BREATHE. (A review, of sorts. No spoilers.)

Don’t Breathe is a horror/thriller/drama, otherwise known as a horror-thrillama. (Adorable, right? If that term didn’t already exist, it does now.) It’s categorized as a horror film because there’s no other way to describe the shit that goes down.

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Don’t Breathe is an anomaly of a horror film. There’s no hint of the supernatural. No monsters or creatures of lore. No deranged killer wearing a mask while hunting people. No scheming lunatic masquerading as an ordinary person in unsuspecting victims’ lives. No lethal super-virus trampling international borders. No evil aliens or UFOs. No colossal, razor-toothed fish torpedoing out of the ocean. No natural disaster threatening humankind with the apocalypse in a planetary meltdown. No serial killers. No creepy dolls. No clowns stalking children in the Carolinas. (Oh, wait… that’s not a movie. That’s really happening). (It’s not a movie yet, that is.)

There’s just a guy.

And he’s both a victim and a victimizer.

He has reason to do the things he’s doing, as he is being provoked. In his own home.

He does have an obsession, shall we say… but by the time it rears its head, the reveal is powerless to overtake the action and suspense already blurred in full throttle. We’re brought back to the central terror, albeit minus any sympathy we may have had for the guy.

Likewise, a reveal in the backstory of another character serves in the reverse: it seeks to help us feel sympathy for her, lest we’re feeling 100% like “she’s getting what she deserves”… though some of that sentiment may remain. It did for me. There can be no justification for her actions, but at least we’re given some kind of device with which to understand her emotional motives.

Don’t Breathe is smart, unlike a great percentage of its ilk. I enjoy a stupid, campy horror flick as much as the next devoted fan of the genre, but Don’t Breathe is a pleasurable breath of fresh air, as they say. Director Fede Alvarez (Evil Dead) crafted it into an exhilarating and tight ride.

I think I’ve said all I want to say that I can say without spoiling it for you, if you haven’t seen it. This aptly-titled film is worth the price of its ticket. (An alternate title could be Why Everyone Should Know How to Hot-wire a Car.) I recommend this film highly if you enjoy horror and/or thrillamas, if you don’t mind a bit of gore… and a lot of breath-holding.

I finished “Make Me” by Lee Child. (This is not a review.)

Lee Child’s latest Reacher novel, Make Me, delivered. The story is tight and the tension is high, and Reacher is his usual, taciturn self. Reacher “said nothing” about 20 times. I kept track of all the “nothing” that he said. It was deafening.

If last year’s Reacher novel left me disappointed at all, Make Me more than made up for it. Reacher gets off a train and the story takes off, engaging instantly with intrigue (heightened by the knowledge that very little is extraneous – a perk of being a seasoned Reacher reader, though you absolutely don’t need to have read previous Reacher novels in order to enjoy this one), but I particularly loved this story with its details that correlate to details in my reality. It’s always fun when personally relatable aspects leap out at you from a novel.

There’s the female agent being Asian-American (which I am), and the tertiary character, a journalist, being a science editor with a background in molecular biology (I’d worked as a science editor in bioinformatics and molecular biology in the past), and the moniker ‘Callaghan’, “which at least was Irish.” (Hello, Callaghan! I’d written a blog post about how my French husband’s nickname is an Irish name.)

So here’s Reacher hanging out with this Asian-looking chick, and they find themselves, at one point, right here in Phoenix, where familiar places and things are mentioned. (Sky Harbor International Airport. Maricopa County sheriffs. Scottsdale. The “baking desert heat.”)

All of this coated the bad-assery with an icing of familiarity that added amusement to a reading experience that was already supremely enjoyable. But even without those details, there’s nothing like an excellent, well-developed, well-paced thriller/mystery to facilitate a much-needed escape.

If I ever find myself having coffee with Lee Child, I’m going to thank him for this one, especially.

 

Lee Child's 20th Reacher novel

Lee Child’s 20th Reacher novel

 

Make Me gives us classic Reacher, yet it deviates from the Reacher formula in a surprising way, at the very end. That’s all I’m going to say about that.

The problem with Reacher is a classic one, too… you can only hang out with him for the time it takes to finish the book. Then you have to wait a year for him to come back. I remind myself to be grateful that he comes back at all… surely Reacher will retire one day, and that will be the end. Meanwhile, the countdown is on for Reacher’s return.