After I last talked to you on Thursday, I went on an unexpected minimalism sweep, and I mean a major one this time… maybe the second-biggest anti-haul since my initial one. Three days of on-and-off plundering later, I took the spoils to be donated.
[Sidenote and speaking of my last post: I read it again later that day (the Geronimo post), and I found a typo (a missing ‘s’, I believe). I went in and fixed it. Please do let me know if you see typos or other errors in my writing! Don’t be shy. It’s like if I have something green stuck in my teeth, I’d rather someone point it out to me than allow me to go around talking to another hundred+ people like that. Haha.]
I didn’t plan this latest minimalism undertaking. You know… accomplishment in itself feels amazing, but unexpected accomplishment adds an extra kick of satisfaction. This time, I had no mercy. I slashed my sock drawer in half, when up until now I’d maintained that I wouldn’t go there. This progress suggests that my next major sweep might very well include – gasp – books. Could I possibly get to a point where I can decide which books to donate?
While going through the closet in the guest bedroom, I re-encountered my collection of music books, which largely define my childhood. I found Hannon and Czerny exercise books; instructional book series; rhythm and timing workbooks; collections of works by specific composers; collections of popular hit music from the 70’s and 80’s; loads of sheet music (popular, classical, and the blues); holiday music of several different cultures; and my practice notebooks going back to my very first day of piano lessons. Even my violin instructional book is in there! I took violin for six months before my school lost the program and the lessons stopped. My parents got a piano, and I picked up my music studies from there. I was a lucky kid. An excellent piano teacher came to the house once a week for the next nine years; she basically watched me grow up.
My first piano lesson was on November 14, 1978. It’s written on the first page of my first lesson notebook. Just the sight of my teacher’s handwriting brings back memories. The date of each lesson. Reminders to trim my nails (at the top of each entry, sometimes in all caps and with multiple exclamation points – my piano teacher invented screaming in all caps). The practice time charts she drew every week (for me to write in the time I’d spent practicing each day. “30 minutes minimum!!”) And her assignments for the week, numbered in order of priority.
There’s no reason to keep the music with me, but trashing it is unthinkable… at the moment, at least. There was nothing to decide on Saturday. Instead, I sat down and spent some time looking through the material. I’m not even sure that some of it still exists. For instance, are Wesley Schaum rhythm and timing workbooks still in print? Do music students learn rhythm and timing from them anymore? The Schaum workbooks I have were published in 1969 and 1970. They cost $3.00 each.
The memories of this homework, guys. Book Three, Lesson 15: Counting with Ties and Slurs. “On the staffs below, some of the measure bar lines are missing. Draw in bar lines where necessary to make the proper number of counts in each measure. Then write in the counting on the dotted lines (include the word ‘and’ where necessary).”
It’s also interesting to see the evolution of my penmanship in the way I wrote my name at the top of each page. (By the way, is penmanship even a part of grade-school curriculum anymore?)
It’s possible that I’ll be back one day to report that I’ve thinned my bookshelves, but it may be longer than that before I start dismantling my music collection. Most of it would have to go into the recycling. Stuff like my completed rhythm and timing workbooks? Useless to others. I’m not sure that anyone would want my sheet music with my teacher’s comments in the margins, either, not to mention the stickers I’d chosen for each piece I’d mastered. That was an interesting evolution to observe, too, how the award stickers got less and less babyish as time went on.
I don’t know. I might do this dirty work one day, or it might be up to someone else to dump the music after I die. It’s hard to imagine minimalizing music when it’s printed on paper. Paper is not technology that becomes obsolete.