A fact of life: One never knows how many Stephen King books one owns until one moves. And yes, “Stephen King” is an adjective.
Decent progress has been made in the unpacking arena. I’ve now arrived at the books part of it, and… and nothing. I’ve just arrived. And I’ve taken the books out of the boxes – go me! But that’s where my victory dance ends, because now I have to decide how to sort all the books, and for some reason, I’m overwhelmed.
Well, I know why. It’s because this move is the last move for the foreseeable future; as far as I’m concerned, this abode is the forever abode, so my OCD-tendency-leaning self won’t let me get away with shoving books on the shelves every which way “because we’re going to move one day anyway” anymore.
I’ve carried books around with me all of my life. Over the years, I’ve sold, traded, donated and given away hundreds of books. I’ve lost some; I’ve “lent” some. But somehow, I still always move with at least ten good-size boxes of books. My current collection includes some that I’d left in France (a pile of Shakespeare and some Russian lit, some of them duplicates, mysteriously enough) in my attempt to bring down the weight of our overseas shipping, and I have a small stack set aside for a garage sale we’re planning in the upcoming weeks. Still, I’m now confronted by piles like this:
Book piles in the living room.
Piles of books on the desk in the guest bedroom.
And that’s not all of it. I also have a pile of books about Buddhism/eastern philosophy beneath the Butsudan, a pile of cookbooks tucked away in the kitchen, a pile of random books on the big bookcase in the dining area and a smattering of books in my office. And these are all just my books we’re talking about… Callaghan, too, has lots of books in his office.
This is what the inside of my mind looks like when I’m standing before these books:
Should I group them by century? Should I separate the American lit from the British lit? Should I separate them by century and group the Americans and Brits within the centuries? Should I group all the anthologies together, or should I put the poetry anthologies in the poetry section? Should I mix the pocket-size books with the trade paper and hardcover books? If I lump all the pocketbooks together, should I organize them by genre, or alphabetically by author, or both? Should I categorize the books by genre, only? Should I nest genres within nationalities within centuries (i.e. 19th-century British Romantics)? Should I mesh poetry and prose within those groupings, or should I keep poetry and prose separate? And which groups should I position where in the bookcase? Should I group the Russian lit alongside the British lit alongside the American lit, or would the Russian lit make more sense neighboring the philosophy section? Should I line the entire top of the bookshelves with poetry volumes, using them to bridge the two? Should I shelve the poets in alphabetical order? How should I organize the poetry… by era, or by style? If the era and style are inseparable (as with the confessionalists, the post-modern poets, the New York School, the avant-garde imagists, the Black Mountain poets, etc.), should I attempt to merge all the books similarly? What about my textbooks and essays about poetry and prose… should I put them with their authors, or in a category of their own? Should I put the surrealism section next to the magical realism section, or should I put the surrealists next to the poets? Should I put the biographies and autobiographies of poets and authors with the books those poets and authors have authored, or should I make a separate category for biographies and autobiographies? What about the smaller sections like classical Greek lit, medieval lit and non-Shakespearean drama? Should I separate Shakespeare’s poetry from his dramas, or keep them all together in the Elizabethan section? (Would it be weirder to have a poetry section without Shakespeare’s poems, or to have a Shakespeare section without his poems?) What about the contemporary literature? The non-fiction? Should I separate the political non-fiction from the general non-fiction? What about creative non-fiction? What about my western religious texts? The feminist texts? Should I group my books in French together, separate from the books in English, or should I merge them?
Etc., etc., etc., ad infinitum, ad nauseam.
I’ve been staring at these piles of books for a few days now.
I’ve already decided to put reference books and instructional books, including all of my French grammar books and dictionaries, in the big bookshelf in the dining area.
I’m hoping that somehow, my collections of Laura Ingalls Wilder, Nancy Drew, Agatha Christie, Stephen King, Lee Child, J.K. Rowling, Anne Rice and the like, along with random other books, will all fit in the tall, narrow bookcase in the guest bedroom. I like the idea of stocking that room with brain candy for visitors who are on vacation (Callaghan’s going to add some books in French for our visitors from France).
None of these considerations came into play in the apartment we’d just vacated. I knew it was temporary, so I created double rows of books in some parts and didn’t care that the ones in the back rows weren’t visible. In this house, though, I want to be able to see every single book, and I want to be able to find books easily. In the past, I’d typically arranged books alphabetically, by author. I’m craving that level of organization in my life again because I’m craving rootedness. I feel like if my books are in order, then my life will be in order. When I was a kid in grade school, some of my friends used to tease me about my reading, saying, Kristi’s going to turn into a book! Maybe that’s finally happened.
On that note, I’m off to spend the day away from the office, going to appointments, seeing people, running errands, and so on. Happy Friday, All!